[ ] My In-Laws Gave Their Other Three Children $20,000 for Houses and Gave Us Only a Card Two Years Later, We Bought the Old Miller Place for $41,500 - Page 3 of 14 - The Archivist

My In-Laws Gave Their Other Three Children $20,000 for Houses and Gave Us Only a Card Two Years Later, We Bought the Old Miller Place for $41,500

We ate a great many eggs those two years.

Nate sold his bass boat.

He didn’t ask me first. He didn’t make a big speech about it.

One Saturday the boat was sitting in our yard on its trailer. The next Saturday, there was a rectangle of dead grass where the trailer used to sit. And thirty-six hundred dollars more in our savings account.

He loved that boat.

And we went to every single Sunday dinner at Ron and Judy’s that my shift schedule allowed. And we didn’t tell anybody what we were doing.

That was Nate’s rule. I came to agree with it.

If we told them we were saving for a house, it would sound like a hint. It would sound like a bill sent two years late.

And neither one of us wanted one single dollar that had to be asked for.

Kim bought a little ranch house on Maple Street with a fenced backyard. Jeff and his wife put their money down on a place in the new subdivision. Stacy kept hers in the bank until she finished nursing school.

We went to both housewarming parties.

I brought a casserole to each one. And I meant every noodle of it.

At Jeff’s housewarming, Judy came up and squeezed my arm.

“You two will be next,” she said. “You’re so good with money.”

“We’re working on it,” I said.

The second spring, in March, I was eating my sandwich at my desk at the hospital with the county newspaper open to the legal notices.

That’s where a billing clerk’s eye goes, whether she wants it to or not.

The county trustee was auctioning off its surplus property list. Those are the properties where nobody paid the taxes. And nobody redeemed them. Year after year. Until the county ended up holding them.

Most of the list was empty lots and a burned-out filling station.

One line was a house and two point three acres on the county road north of town.

Everybody knew it as the Miller place.

Old Dale Miller had died in that house. His children lived in Arizona and Oregon and had stopped answering the tax bills. The house had been standing empty for six years.

You could see it from the blacktop as you drove by. A tall white farmhouse going gray. With a front porch that sagged in the middle like a tired horse.

I drove Nate out there that evening.

You weren’t allowed to go inside before a county sale. You bought what you could see from the yard. You bought it as it stood.

The weeds came up to my hip. There was an old cistern with a concrete lid. And right beside it, one stubborn clump of something red, just breaking ground.

Nate walked all the way around the house once. Slowly.

He got down on his belly and went under the porch with a flashlight. He stood back by the road and looked at the roofline for a long time with his head tilted. The way he sights down a driveshaft.

“Ridge is straight,” he said. “Foundation’s limestone, and it hasn’t moved. The porch is shot. And I bet the wiring’s older than Dad.”

He rubbed his jaw.

“Good bones, Em.”

“What would it go for?”

“What have we got?”

“Forty-two thousand and some change.”

“Then that’s what it’d go for,” he said. “Or it goes to somebody else.”

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Sophia Rivers

Written by:Sophia Rivers All posts by the author

Sophia Rivers is an experienced News Content Editor with a sharp eye for detail and a passion for delivering accurate and engaging news stories. At TheArchivists, she specializes in curating, editing, and presenting news content that informs and resonates with a global audience. Sophia holds a degree in Journalism from the University of Toronto, where she developed her skills in news reporting, media ethics, and digital journalism. Her expertise lies in identifying key stories, crafting compelling narratives, and ensuring journalistic integrity in every piece she edits. Known for her precision and dedication to the truth, Sophia thrives in the fast-paced world of news editing. At TheArchivists, she focuses on producing high-quality news content that keeps readers informed while maintaining a balanced and insightful perspective. With a commitment to delivering impactful journalism, Sophia is passionate about bringing clarity to complex issues and amplifying voices that matter. Her work reflects her belief in the power of news to shape conversations and inspire change.

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