[ ] Dad Left My Brother the Farm and 480 Acres. All I Got Was a Fence Line, Until the Surveyor Found Something - Page 9 of 13 - The Archivist

Dad Left My Brother the Farm and 480 Acres. All I Got Was a Fence Line, Until the Surveyor Found Something

He called his Omaha lawyer the next morning anyway. I knew he would. I’d have done the same.

He told me about it on Saturday. The lawyer, a man named Strickland, charged $425 an hour. He spent two hours on the phone with Dale and with Mr. Haskins, and reviewed the deed, the survey, and the gift tax return.

“He said we could fight it,” Dale said, standing at the gate at six in the morning in a pair of brand-new boots and a down vest, holding a thermos. His face was gray from lack of sleep. He’d shaved badly and nicked himself under the jaw. “He said I might even win, eventually. Easement by necessity. Two years in district court. Thirty grand, maybe forty. And in the meantime, I couldn’t sell, couldn’t borrow, couldn’t sign a lease.” He laughed bitterly. “Then he asked me a question I couldn’t answer.”

“What?”

“He said, ‘Mr. Dekker, why do you think your father did this?’ And I didn’t know.” He looked at me. “So I came out here.”

I was wearing my old canvas coat and Dad’s John Deere cap, which I’d started wearing. He looked at the cap, and his mouth worked.

“That’s his.”

“Yes.”

“I haven’t seen it since the funeral.”

“I’ve had it.”

He nodded. He looked down the long line of orange pin caps stretching east into the early light.

“Where do we start?”

“At the beginning,” I said.

We walked for four hours. I’d never talked so much in my life.

I told him about the tile: the twelve-inch clay main and the laterals that fed it. I told him about the lateral that failed in 1987, which Dad dug out by hand over a weekend in a thunderstorm because the county wouldn’t come. I told him about the well and the pump, and the night in 1998 when the pressure switch burned out and Dad hauled water to the cattle in five-gallon buckets until dawn. I told him which fence posts were cedar and which were Osage orange, and why.

I told him about the money too. The cash rent the Pruitts had offered was $290 an acre. Dad had turned down $250 from them in 2015 because he didn’t trust them to keep the tile clean. The property taxes on the farm were almost $19,000 a year, and Dad had paid them in two installments from the farm account every April and September for fifty years without ever missing a date.

“Nineteen thousand?” Dale said.

“You’ll get the bill in September.”

He laughed weakly. “I didn’t even know that.”

He said very little else. He walked beside me with his hands in his pockets, and he looked. Really looked, I think for the first time in forty years, at the ground.

At the well, he stopped.

He put his hand on the tin side of the pump house and slowly ran his palm along it, the way you’d touch a horse.

“Dad dug this.”

“With Uncle Ray. In 1967.”

“I remember.” His voice cracked. “I was two. He held me up so I could see down the hole. I remember the cold coming up out of it.”

I stared at him.

“I thought I’d made that up,” Dale said. “For years. I thought I’d imagined it.”

“You didn’t.”

He pressed his forehead against the cool metal, and his shoulders started to shake.

I stood beside him with my hand on his arm while my older brother wept against a pump house in the early light of a Nebraska morning.

Categories: Stories
Ethan Blake

Written by:Ethan Blake All posts by the author

Ethan Blake is a skilled Creative Content Specialist with a talent for crafting engaging and thought-provoking narratives. With a strong background in storytelling and digital content creation, Ethan brings a unique perspective to his role at TheArchivists, where he curates and produces captivating content for a global audience. Ethan holds a degree in Communications from Zurich University, where he developed his expertise in storytelling, media strategy, and audience engagement. Known for his ability to blend creativity with analytical precision, he excels at creating content that not only entertains but also connects deeply with readers. At TheArchivists, Ethan specializes in uncovering compelling stories that reflect a wide range of human experiences. His work is celebrated for its authenticity, creativity, and ability to spark meaningful conversations, earning him recognition among peers and readers alike. Passionate about the art of storytelling, Ethan enjoys exploring themes of culture, history, and personal growth, aiming to inspire and inform with every piece he creates. Dedicated to making a lasting impact, Ethan continues to push boundaries in the ever-evolving world of digital content.

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