[ ] For 40 Christmases, My MIL Gave Her Daughters Jewelry and Me Plum Jam. Then I Found a Number on the Last Jar - Page 3 of 11 - The Archivist

For 40 Christmases, My MIL Gave Her Daughters Jewelry and Me Plum Jam. Then I Found a Number on the Last Jar

At eleven that night, I took a flashlight down to the basement.

Tom was asleep upstairs. The house ticked around me. The furnace kicked on with a low, warm rumble. The basement smelled of concrete, old paper, and, very faintly, plums.

My shelf stood against the north wall, a plain pine shelf Tom built in 1992. Thirty-nine empty, scrubbed jars sat in a row with their lids on and their little white numbers facing out. I hadn’t touched them in years.

I took down jar number one and turned it over in the flashlight beam. I’m not sure why. Maybe the same instinct that had made me weigh jar forty in my hands.

The lid was an ordinary two-piece gold canning lid, a little rusty around the rim. But something was wrong with the underside. There was a thin, flat shadow, the edge of something paper, held inside the metal with yellowed tape.

My hands started to shake.

I picked at the tape with my thumbnail. It came away brittle and brown. A small folded square slid out into my palm, soft as cloth. I opened it under the light.

United States Savings Bond. Series EE. Issued December 1985. Face value $100, purchased for $50. In the registration box, in neat black type: LINDA M. HADDON.

I sat down on the concrete floor.

I took down jar two. Another bond. Series EE, December 1986. LINDA M. HADDON.

Jar three. Jar four. Jar five. I took them down one after another and pried the lids loose. By the tenth, I’d stopped being surprised. By the twentieth, I was crying silently, my hands still moving, in a circle of flashlight on the cold floor.

The early bonds had a face value of $100. In the 1990s they went up to $200, and by the 2000s they were $500.

Then, at jar twenty-eight, December 2012, the bonds stopped.

Taped under that lid was a small bank receipt instead, from Marshalltown Savings Bank: a deposit slip for $600 into a savings certificate account. The account holder was Ruth E. Haddon. Typed underneath: Payable on death to Linda M. Haddon.

I remembered reading at the co-op years ago that the government stopped selling paper savings bonds at banks at the end of 2011. Ruth hadn’t let that stop her. She’d simply switched to something else.

Jars twenty-eight through thirty-nine each held one of those deposit slips. One for every Christmas. Each said the same thing at the bottom: payable on death to me.

I laid everything out on the basement floor in rows, like cards in a game of solitaire. Twenty-seven savings bonds and twelve bank receipts.

I’m a bookkeeper. I did the arithmetic the way Ruth would have, slowly, and twice.

The oldest bonds had stopped earning interest after thirty years, but they’d kept everything they’d grown to. The newer ones were still earning. From the maturity tables I’d seen at the co-op, I figured the bonds alone were worth somewhere around thirty thousand dollars. And the certificate account had to be at least another fifteen.

Forty years of jam. Forty years of Carol’s laugh.

And the whole time, on a shelf in my basement, Ruth had been saving me.

Categories: Stories
Lila Hart

Written by:Lila Hart All posts by the author

Lila Hart is a dedicated Digital Archivist and Research Specialist with a keen eye for preserving and curating meaningful content. At TheArchivists, she specializes in organizing and managing digital archives, ensuring that valuable stories and historical moments are accessible for generations to come. Lila earned her degree in History and Archival Studies from the University of Edinburgh, where she cultivated her passion for documenting the past and preserving cultural heritage. Her expertise lies in combining traditional archival techniques with modern digital tools, allowing her to create comprehensive and engaging collections that resonate with audiences worldwide. At TheArchivists, Lila is known for her meticulous attention to detail and her ability to uncover hidden gems within extensive archives. Her work is praised for its depth, authenticity, and contribution to the preservation of knowledge in the digital age. Driven by a commitment to preserving stories that matter, Lila is passionate about exploring the intersection of history and technology. Her goal is to ensure that every piece of content she handles reflects the richness of human experiences and remains a source of inspiration for years to come.

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